In Busseto:
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Exhibition

 
   
Fontanellato Bardi Busseto Colorno Montechiarugolo Roccabianca Sala Baganza
San Secondo Soragna Torrechiara Varano Melegari Zibello
 
Busseto: art and history
Art and history The Noble and the Court
The restoration Audiovisual installation
Busseto, View of
Villa Pallavicino, XVI cent.
Zoom
Busseto was an important medieval agricultural village, situated in a strategic place for the control of the fords on the Po between Lombardia and Emilia and founded in the X century, when the emperor Ottone II conceded the area in feud to the Pallavicino family, a house descended from the Tuscan dynasty of the Obertenghi.
The Pallavicino family made Busseto the capital of their property, and between the XIV and XV they transformed the village into a rich and elegant city in line with the courtly tastes of the time.
Proof of these happy times can be detected in the Collegiata di San Bartolomeo church, host to frescoes by Michelangelo Anselmi, together with the Santa Maria degli Angeli church, with the grief for the dead Christ by Guido Mazzoni: two of the individuals in the sculptured group represent the masters of Busseto. Between the Eighteenth and Nineteenth centuries, the centre of Busseto became embellished with stately palaces and churches, weaving an urban fabric worthy of a small capital.
It was during the same period that Busseto's most famous son was born: Giuseppe Verdi (1813 - 1901).

Villa Pallavicino
The building of the villa was concluded at the start of the 1500s.
In 1533, when it received a visit from Carlo V, the building was still under construction. Between the seventeenth and eighteenth centuries the Villa was extended and decorated in a Baroque style.
Surrounded by a square moat, the villa is reached by the bridge crossing from the porter's lodge pavilion, of exquisite Baroque craftsmanship.The internal open gallery preserves important testimonials to the Renaissance era: frames of rustic ashlar work and the space of the buffalora, open on four sides, with an umbrella-shaped vault frescoed with mythological and grotesque symbols in the style of Baglione and other Emilian decorators from the second half of the Sixteenth century.